CONSTITUTION
2022.03 - 2022.05
exhibition
graphic design
CONSTITUTION is my final project in the class Machinic Modernity.
Based on two focuses of modernity and technology in this class and the whole previous interpretation of the reading materials, I chose to put my final project in a more critical context and wanted to explore the evolution of the relationship between humans and Artificial Intelligence.
As my final output, I designed all the research and visualization I made into a booklet to show my critical thoughts about this relationship in various aspects.
︎This project has been selected to present in the Student Art exhibition at the SFO Museum from March 1 to July 11 in 2023.
CONSTITUTION是我在Machinic Modernity课上的结课作业。
基于本课中对现代社会现象和科技发展这两个重点以及之前对阅读材料的整体解读，我选择将我的结课设计放在一个更具批判性的背景下，并希望在此社会背景下探索人类与人工智能之间关系的演变。
作为我的最终成果，我将所有的研究和可视化表现设计成了一本小出版物，从各个方面展示了我对这种关系的批判性思考。
︎该项目被选中参加 2023 年 3 月 1 日至 7 月 11 日在旧金山国际机场博物馆的学生艺术展。
CCA MFA design, Machinic Modernity by Erik Adigard & Ignacio Valero
CONSTITUTION, an exhibition by Celia Ziyan Cai at the SFO Museum, March 1 2023 – July 11 2023
California College of the Arts’ (CCA) design program includes the course Machinic Modernity, which is taught by Erik Adigard and Ignacio Valero. The class intersects contemporary design practices with a global understanding of “progress” as it is framed by western interpretations of modernity and technology. MFA design student Celia Ziyan Cai’s project for Machinic Modernity, Constitution, reflects identity in today’s digital-oriented society. With herself as the subject, the artist uses a rich mix of images, graphics, and typography to explore how the relationships between organic beings and artificial beings are constructed, deconstructed, and reconstructed in digital environments. The designs are presented as a dramaturgy structured in four parts: Identity, Community, Environment, and Catharsis.
加州艺术学院（CCA）的设计课程包括由埃里克-阿迪加德（Erik Adigard）和伊格纳西奥-瓦莱罗（Ignacio Valero）教授的 "机械现性"（Machinic Modernity）课程。这门课将当代设计实践与全球对 "进步 "的理解交织在一起，因为 "进步 "是以西方对现代性和技术的诠释为框架的。学院设计专业学生 Celia /Ziyan Cai 的 "机器现代性 "项目 "构成 "反映了当今以数字为导向的社会中的身份认同。艺术家以自己为主题，运用丰富的图像、图形和排版组合，探索在数字环境中如何构建、解构和重构有机生命与人造生命之间的关系。这些设计以戏剧的形式呈现，分为四个部分： 身份、社区、环境和宣泄。
Here is the link for the online post: https://www.sfomuseum.org/exhibitions/constitution-celia-ziyan-cai
2022.03 - 2022.05
exhibition
graphic design
CONSTITUTION is my final project in the class Machinic Modernity.
Based on two focuses of modernity and technology in this class and the whole previous interpretation of the reading materials, I chose to put my final project in a more critical context and wanted to explore the evolution of the relationship between humans and Artificial Intelligence.
As my final output, I designed all the research and visualization I made into a booklet to show my critical thoughts about this relationship in various aspects.
︎This project has been selected to present in the Student Art exhibition at the SFO Museum from March 1 to July 11 in 2023.
CONSTITUTION是我在Machinic Modernity课上的结课作业。
基于本课中对现代社会现象和科技发展这两个重点以及之前对阅读材料的整体解读，我选择将我的结课设计放在一个更具批判性的背景下，并希望在此社会背景下探索人类与人工智能之间关系的演变。
作为我的最终成果，我将所有的研究和可视化表现设计成了一本小出版物，从各个方面展示了我对这种关系的批判性思考。
︎该项目被选中参加 2023 年 3 月 1 日至 7 月 11 日在旧金山国际机场博物馆的学生艺术展。
CCA MFA design, Machinic Modernity by Erik Adigard & Ignacio Valero
CONSTITUTION, an exhibition by Celia Ziyan Cai at the SFO Museum, March 1 2023 – July 11 2023
California College of the Arts’ (CCA) design program includes the course Machinic Modernity, which is taught by Erik Adigard and Ignacio Valero. The class intersects contemporary design practices with a global understanding of “progress” as it is framed by western interpretations of modernity and technology. MFA design student Celia Ziyan Cai’s project for Machinic Modernity, Constitution, reflects identity in today’s digital-oriented society. With herself as the subject, the artist uses a rich mix of images, graphics, and typography to explore how the relationships between organic beings and artificial beings are constructed, deconstructed, and reconstructed in digital environments. The designs are presented as a dramaturgy structured in four parts: Identity, Community, Environment, and Catharsis.
加州艺术学院（CCA）的设计课程包括由埃里克-阿迪加德（Erik Adigard）和伊格纳西奥-瓦莱罗（Ignacio Valero）教授的 "机械现性"（Machinic Modernity）课程。这门课将当代设计实践与全球对 "进步 "的理解交织在一起，因为 "进步 "是以西方对现代性和技术的诠释为框架的。学院设计专业学生 Celia /Ziyan Cai 的 "机器现代性 "项目 "构成 "反映了当今以数字为导向的社会中的身份认同。艺术家以自己为主题，运用丰富的图像、图形和排版组合，探索在数字环境中如何构建、解构和重构有机生命与人造生命之间的关系。这些设计以戏剧的形式呈现，分为四个部分： 身份、社区、环境和宣泄。
Here is the link for the online post: https://www.sfomuseum.org/exhibitions/constitution-celia-ziyan-cai
